Violinist Kwuon, guest conductor Seaman join CSO for a concert of Wagner, Prokofiev and Dvořák
Lauren Hutchison | Staff Writer
Violinist Joan Kwuon loves the thrill of performing for a live audience and having an active dialogue with an orchestra.
“It never gets old,” she said. “That moment, being surrounded by the sound from the orchestra and contributing the solo line is really quite mesmerizing.”
Kwuon will join guest conductor Christopher Seaman and the Chautauqua Symphony Orchestra at 8:15 p.m. tonight in the Amphitheater for a concert featuring works by Richard Wagner, Sergei Prokofiev and Antonín Dvořák.
Kwuon made her CSO debut in 2009 with the Jean Sibelius Violin Concerto in D minor, Op. 47, in a performance guest reviewer Anthony Bannon said “(found) tempest inside tenderness.”
She originally was scheduled to perform the Prokofiev Violin Concerto No. 2 in G Minor, Op. 63, in 2008, but was unable to appear due to a family emergency. Tonight’s concert features the same concerto, chosen simply because it was a good fit for the musicians and the program, Kwuon said.
She said she enjoys the concerto for its wide range of harmonies and textures.
“The concerto has a lot of flavor,” Kwuon said. “(Prokofiev) is very generous with expression.”
The first movement begins with the solo violin, which sets the mood. Kwuon described the movement as light, reflective and a bit sad. The second movement becomes arching, lyrical and romantic, with fireworks and long, spun phrases above the orchestra’s part. The concerto concludes with a vibrant dance featuring castanets, conjuring images of Spain, where the concerto premiered.
Seaman described Prokofiev as a composer with a very strong personal flavor.
“Prokofiev has this marvelous mixture of elegance, charm and an incredibly dry wit,” he said. “By adding Prokofiev in the middle of the Wagner and the Dvořák, we’ve stirred a little bit of a different spice into the mix, which gives us a very good balance as a program.”
The concert opens with Richard Wagner’s Prelude to Act I of Die Meistersinger von Nürnberg. The piece is among Wagner’s most popular overtures and preludes. It features marvelous melodies and a big finish, Seaman said.
“It’s a wonderful starter,” Seaman said. “The opera has a huge amount of humanity, which comes out in the prelude.”
Tonight’s program concludes with Antonín Dvořák’s Symphony No. 8 in G Major, Op. 88, which Seaman described as a masterpiece. Dvořák had an inexhaustible supply of melodies, as evidenced by the six themes in the first movement — most symphonies feature only two.
“It’s an absolute delight to play — sunshine from beginning to end, with a couple of clouds passing in the second movement,” he said.
After Chautauqua, Seaman will guest conduct in the first of two Australian tours this year. He recently recorded Ralph Vaughan Williams’ “London Symphony” and “Serenade to Music” with the Rochester Philharmonic Orchestra, where he just concluded his 13-year tenure as music director.
Kwuon recently had her South American debut in Caracas with the Venezuela Symphony Orchestra. She will appear at the Great Mountains Music Festival in South Korea later this summer and in chamber music concerts at the Cleveland Institute of Music, where she is the artistic director of the violin conservatory’s preparatory division. Kwuon also is recording Beethoven’s Violin Sonatas No. 9, Op. 47, and No. 10, Op. 96.